In Messages from the Past, Caroline E. Hughes and Deborah Puretz Grove test the processes that connect us to each other and our past. Through textures and patterning, we see how textiles, prints, and technologies can be a connecting force to bring understanding and advance towards the future.

Caroline E. Hughes investigates personal experiences with place and community through large-scale textile works. Aspects of rural living are present in her work. Hughes places an emphasis on her history in those settings as a catalyst for connections and shared experiences. Deborah Puretz Grove uses semiconductor plates as metaphors for extending personal memories and connecting people all the time everywhere. In her many series of work, deeds, titles, letters, and family photos, from 1890 – 1950 are juxtaposed by references of semiconductor prototypes of the 1990s to further elaborate on the idea of memory extension.