Savvy Musician in ACTION announces finalists of the national Chamber Music Competition

The free Chamber Music Showcase Concert takes place at Tapp’s Art Center during Columbia’s First Thursday event in June

COLUMBIA, SC – Some of the country’s most innovative chamber music ensembles will be in Columbia competing for major prizes during the University of South Carolina’s innovative arts entrepreneurship workshop, The Savvy Musician in ACTION (SMIA).

The Chamber Music Competition, sponsored by the USC School of Music in collaboration with Chamber Music America, is the country’s only major chamber music competition in which the judging criteria includes both artistic excellence and innovative event design.

The Chamber Music Showcase concert takes place June 4 during Columbia’s First Thursdays on Main event at Tapp’s Art Center from 7:30 to 10:30. The four finalists will compete for prizes including professional management, a NYC showcase concert, and a paid residency at the University of South Carolina. The showcase concert is free to attend.

The competition’s four finalists, selected from a large field of applicants, will each play a 25-minute set during the showcase concert. In addition to reimagining the concert experience, the program highlights each group’s stellar musicianship and creative programming.

The finalists are:

• Cre.Art Project is a chamber ensemble that works through multidisciplinary interaction gathering musicians, visual artists, dancers, actors, writers, designers and acrobats from all over the world to create unique performances. Founded in 2006 by Guillermo Laporta and Tagore González , Cre.Art Project has produced shows at leading venues and festivals across Europe and America with a wide range of productions like the musical London the Show, the multimedia music series Visuality and the operaNoctum.

• Peter Ferry, percussion soloist, and Xuan, video artist, redefine the modern duo by transcending the limits of traditional performance and collaboration. Through original interdisciplinary projects involving live video and musical performance, they explore new artistic territory through percussion’s lush sonorities and rhythmic vitality, and film’s intricately constructed animations and beautifully layered imagery, all of which left critics at the Rochester Fringe Festival calling the show “Breathtaking… all that such festivals are supposed to be: funny, boundary-pushing, thought-provoking.” (Democrat and Chronicle)

• Named as one of the “leaders of the new school” by Symphony Magazine, Chicago Q Ensemble is a trio of equal creative partners who develop intimate, seamless performance works grounded in contemporary and classical chamber music. Their aesthetic approach is deliberately raw and stripped-down, leaving space for audiences to connect with the performance in a deeply personal way. The ensemble rejects the traditional image of the performer as mere interpreter, striving instead to emphasize individuality, vulnerability and risk-taking.

• Specializing in contemporary works and original transcriptions, District5 creates immersive and dramatic shows that depart from the standard concert format. By combining innovation with musical integrity, their imaginative interpretations seek to heighten the audience’s emotional connection to the music. With the U.S. premiere of Karlheinz Stockhausen’s ROTARY Woodwind Quintet already to their credit, this emerging wind quintet continues to produce one-of-a-kind performances.